Arne Schmitt
Zeichen der Zeit / Signs of the Times (01), 2019 Fine Art Print
24 x 32 cm; 9.4 x 12.59 in. * 32 x 40 cm; 12.59 x 15.7 in. (with frame and passepartout), Ed. 3
Zeichen der Zeit / Signs of the Times (07), 2019 Fine Art Print
24 x 32 cm; 9.4 x 12.59 in. * 32 x 40 cm; 12.59 x 15.7 in. (with frame and passepartout), Ed. 3
Zeichen der Zeit / Signs of the Times (39), 2019 Fine Art Print
18,2 x 13,6 cm; 7.16 x 5.3 inches * 40 x 50 cm; 15.74 x 19.68 inches, (with frame and passepartout), Ed. 3
Zeichen der Zeit / Signs of the Times (37), 2019 Fine Art Print
13,7 x 18,2 cm; 5.39 x 7.16 in. * 40 x 50 cm; 15.74 x 19.68 in., (with frame and passepartout), Ed. 3
Zeichen der Zeit / Signs of the Times (26), 2019 Fine Art Print
18,2 x 13,6 cm; 7.16 x 5.3 in. * 40 x 50 cm; 15.74 x 19.68 in., (with frame and passepartout), Ed. 3
Basalt. Ursprung Gebrauch Überhöhung / Origin Use Exaltation, 2018 Pigment Print 45 x 60 cm, 17,71 x 23,61 inches; 65 x 80 cm, 25,59 x 31,49 inches (framed)
Basalt. Ursprung Gebrauch Überhöhung / Origin Use Exaltation, 2018 Pigment Print
22,5 x 30 cm, 8.66 x 11.8 in.; 32 x 40 cm, 12.59 x 15.74 in. (framed)
Basalt. Ursprung Gebrauch Überhöhung / Origin Use Exaltation, 2018 Pigment Print 22,5 x 30 cm, 8,66 x 11,8 inches; 32 x 40 cm, 12,59 x 15,74 inches (framed)
Basalt. Ursprung Gebrauch Überhöhung / Origin Use Exaltation, 2018 Pigment Print 30 x 22,5 cm, 11,8 x 8,66 inches;
40 x 32 cm, 15,74 x 12,59 inches (framed)
Installation view Basalt. Ursprung Gebrauch Überhöhung / Origin Use Exaltation Bielefelder Kunstverein 2018 (curated by Thomas Thiel) * Photo: Philipp Ottendörfer
Installation view Basalt. Ursprung Gebrauch Überhöhung / Origin Use Exaltation
Bielefelder Kunstverein 2018 (curated by Thomas Thiel) * Photo: Philipp Ottendörfer
Installation view
Basalt. Ursprung Gebrauch Überhöhung / Origin Use Exaltation
Bielefelder Kunstverein 2018 (curated by Thomas Thiel) * Photo: Philipp Ottendörfer
Basalt. Ursprung Gebrauch Überhöhung / Origin Use Exaltation, 2018 Pigment Print 40 x 30 cm, 15,74 x 11,81 inches; 50 x 40 cm, 19,68 x 15,74 inches (framed)
Basalt. Ursprung Gebrauch Überhöhung / Origin Use Exaltation, 2018 Pigment Print 40 x 30 cm, 15,74 x 11,81 inches; 50 x 40 cm, 19,68 x 15,74 inches (framed)
Basalt. Ursprung Gebrauch Überhöhung / Origin Use Exaltation, 2018 Pigment Print
30 x 22,5 cm; 11,8 x 8,66 inches 40 x 32 cm; 15,74 x 12,59 inches (framed)
Das gemeinsame Dritte. 36 Tafeln zur Konfusion von Formen- und Wertekanon, 2016 Point of Comparison.36 plates on the confused canons of forms and values, 2016 Fine art print; 25 x 18,7 cm; 9,8 x 7,3 inches; 40 x 32 cm; 15,7 x 12,59 inches (with frame)
Das gemeinsame Dritte. 36 Tafeln zur Konfusion von Formen- und Wertekanon, 2016 Point of Comparison.36 plates on the confused canons of forms and values, 2016 Fine art print; 19,5 x 26 cm; 7,6 x 10,2 inches; 40 x 32 cm; 15,7 x 12,59 inches (with frame)
Das gemeinsame Dritte. 36 Tafeln zur Konfusion von Formen- und Wertekanon, 2016 Point of Comparison.36 plates on the confused canons of forms and values, 2016 Fine art print; 19,5 x 26 cm; 7,6 x 10,2 inches; 40 x 32 cm; 15,7 x 12,59 inches (with frame)
Das gemeinsame Dritte. 36 Tafeln zur Konfusion von Formen- und Wertekanon, 2016 Point of Comparison.36 plates on the confused canons of forms and values, 2016 Fine art print; 25 x 18,7 cm; 9,8 x 7,3 inches; 40 x 32 cm; 15,7 x 12,59 inches (with frame)
Das gemeinsame Dritte. 36 Tafeln zur Konfusion von Formen- und Wertekanon, 2016 Point of Comparison.36 plates on the confused canons of forms and values, 2016 Fine art print; 25 x 18,7 cm; 9,8 x 7,3 inches; 40 x 32 cm; 15,7 x 12,59 inches (with frame)
Das gemeinsame Dritte. 36 Tafeln zur Konfusion von Formen- und Wertekanon, 2016 Point of Comparison.36 plates on the confused canons of forms and values, 2016 Fine art print; 19,5 x 26 cm; 7,6 x 10,2 inches; 40 x 32 cm; 15,7 x 12,59 inches (with frame)
Das gemeinsame Dritte / Point of Comparison Installation view Von den Strömen der Stadt, Städtisches Museum Abteiberg, 2016
Einer unter Vielen/One among Many, 2015 (1) Fine art print 36 x 27 cm; 14,17 x 10,62 inches (with frame 40 x 50 cm; 15,7 x 19,68 inches)
Einer unter Vielen/One among Many, 2015 (2) Fine art print
36 x 27 cm; 14,17 x 10,62 inches (with frame 40 x 50 cm; 15,7 x 19,68 inches)
Einer unter Vielen/One among Many, 2015 (3) Fine art print
36 x 27 cm; 14,17 x 10,62 inches (with frame 40 x 50 cm; 15,7 x 19,68 inches)
Einer unter Vielen/One among Many, 2015 (4) Fine art print
36 x 27 cm; 14,17 x 10,62 inches (with frame 40 x 50 cm; 15,7 x 19,68 inches)
Einer unter Vielen/One among Many, 2015 (5) Fine art print
36 x 27 cm; 14,17 x 10,62 inches (with frame 40 x 50 cm; 15,7 x 19,68 inches)
Einer unter Vielen/One among Many, 2015 (6) Fine art print
36 x 27 cm; 14,17 x 10,62 inches (with frame 40 x 50 cm; 15,7 x 19,68 inches)
Einer unter Vielen/One among Many, 2015 (7) Fine art print
36 x 27 cm; 14,17 x 10,62 inches (with frame 40 x 50 cm; 15,7 x 19,68 inches)
Einer unter Vielen/One among Many, 2015 (8) Fine art print
36 x 27 cm; 14,17 x 10,62 inches (with frame 40 x 50 cm; 15,7 x 19,68 inches)
Einer unter Vielen/One among Many, 2015 (9) Fine art print
36 x 27 cm; 14,17 x 10,62 inches (with frame 40 x 50 cm; 15,7 x 19,68 inches)
Das Fachwerk brannte zuerst/The half-timbered caught fire first, 2011/2015 Fine art print
27 x 36 cm; 10,62 x 14,17 inches (with frame 40 x 50 cm; 19,68 x 15,74 inches)
Das Fachwerk brannte zuerst/The half-timbered caught fire first, 2011/2015 Fine art print
27 x 36 cm; 10,62 x 14,17 inches (with frame 40 x 50 cm; 19,68 x 15,74 inches)
Das Fachwerk brannte zuerst/The half-timbered caught fire first, 2011/2015 Fine art print 27 x 36 cm; 10,62 x 14,17 inches (with frame 40 x 50 cm; 19,68 x 15,74 inches)
Das Fachwerk brannte zuerst/The half-timbered caught fire first, 2011/2015 Fine art print 27 x 36 cm; 10,62 x 14,17 inches (with frame 40 x 50 cm; 19,68 x 15,74 inches)
Das Fachwerk brannte zuerst/The half-timbered caught fire first, 2011/2015 Fine art print 27 x 36 cm; 10,62 x 14,17 inches (with frame 40 x 50 cm; 19,68 x 15,74 inches)
More works (selection)
Ein Verhältnis, das wir ersehnen / To Build Rapport, 2023 >
Wenn Gesinnung Form wird / When Convictions Take Form – Philfak, 2011/2020 >
Signs of the Times – On the history of an ahistorical area named Parkstadt Schwabing, 2019 >
IN NEUER PRACHT / In new Splendor, 2017 >
Abbruch aller Beziehungen / Severance of all Relations, 2016 >
Das gemeinsame Dritte / Point of Comparison, 2016 >
Wenn Gesinnung Form wird / When Convictions Take Form, 2011/2015 >
Kunst nach 45 / Art since 45, 2011 >